Journalism, a Bourgeois Profession?
Journalism, a Bourgeois Profession?
EN
21/01/2026
Widespread precarity and poor pay mean that journalists require significant resources, heightening the risk of class bias.
Art and Culture: Creating Beyond-Growth Imaginaries
Art and Culture: Creating Beyond-Growth Imaginaries
EN
20/01/2026
How can arts and culture help reorient collective goals and expectations towards more sustainable futures?
The Future of Creativity
The Future of Creativity
EN
22/01/2026
What distinguishes humans from artificial intelligence? German author Nina George thinks the answer lies in the ability to create the hitherto nonexistent. Yet as AI’s reach expands into ever farther corners of our lives – from the content we consume to the way we talk – we risk losing our freedom and creativity.
Only Non-Violence Can Save International Law
ENFR
15/01/2026
More Than Just Polanski: The Green Surge in England and Wales
EN
13/01/2026
Partying to Protest: Are Artivists Reigniting Political Engagement?
EN
08/01/2026
Europe, Stand Up For Democracy Worldwide
EN
06/01/2026
How Are Green Imperatives Affecting Creativity?  
EN
02/01/2026
Imagination as Resistance in the Baltics
EN
29/12/2025
From the latest print edition: Arts & Culture Under Pressure
Policy vs Perception: Barcelona’s Culture War Over Urban Space
Policy vs Perception: Barcelona’s Culture War Over Urban Space
Ariadna Romans i Torrent looks at cities as microcosms of broader ideological battles.
Learning by Erasure: Culture, Resistance, and Recovery in Ukraine
Learning by Erasure: Culture, Resistance, and Recovery in Ukraine
Kateryna Botanova on rediscovering connections through war and destruction.
Politicising Pop: The Far Right and Music 
Politicising Pop: The Far Right and Music 
Amidst far-right instrumentalisation, can musicians play a progressive tune? Emília Barna and Melanie Schiller talk to Konrad Bleyer-Simon.
Climate Activism in Museums: Vandalism or Legitimate Protest? 
Climate Activism in Museums: Vandalism or Legitimate Protest? 
Activists and climate groups have carried out a series of non-violent but disruptive acts in cultural institutions. But what has driven them?

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